伙炭藝術工作室開放計劃 Fotanian OpenStudio 2013

Red Elation Studio X Sim Chan 紅彩工作室 X 陳閃

火炭環球工業中心十樓一室


http://www.simchan.com/2013fotan.html

http://www.facebook.com/events/231131100350269/?fref=ts

伙炭2013前言

「十年人事幾翻新」，火炭自頭一天起有藝術家進駐至今，已不止十年，而藝術的新靈感與新發現，更讓伙炭的人與事不知翻了幾遍。到了現在，伙炭已聚結超過一百間工作室，逾三百位藝術家。他們喜歡「閉門造車」，但每年的這些日子，他們不單樂於與大眾分享藝術創作的成果，更毫不吝嗇地向外展現自己日常作息的場所。在這個工廠場景內，沒有華麗的裝潢，沒有矯情的修飾，就像未經刪剪的紀錄片，毫無保留地向公眾放映。

香港的規劃曾經讓我們以為，工廈與民居永遠都是疏離的；藝術家卻愛打破舊有的分野，在工廠內創造不可能的場景。今年的伙炭開放日，除了導賞團、座談會、工作坊等豐富節目，更透過「路邊藝術」，讓整個被「隔離」的工廠區，因著藝術的滲透，重現生活的氣息。

藝術也望薪火相傳，我們特別走訪了中大藝術系的陳育強教授，以及幾位從事藝術教育的藝術家，嘗試摸索出香港藝術教育的紋理來，看看在正規課程以外，還有甚麼別樣的可能。

當社會還未摸透藝術家在搞哪門子的事之前，他們已嘗試挑戰常規；即使孤芳自賞，他們卻仍堅持自我尋索，在夾縫中絶處逢生——也許，這種藝術生活，已是教育大眾何謂「生活藝術」的最佳示範。

Introduction of Open Studios 2013

It has been more than a decade since the first artist came to Fo Tan, during which Fotanian changes not only in time but also in new inspirations and discovery by Art. There are now more than a hundred studios and three hundred artists gathering in Fotan. They love to hide themselves in studios creating all sorts, yet among these weeks every year and so, they are delighted to show to the public the fruitful creation in Art, in the context of the factory units where they live day after day.

The city planning of Hong Kong once makes us believe that industrial buildings have nothing to do with residential or community. Artists are the ones who are enthusiastic enough to break the boundaries, creating new scenes in the factories. For this year’s Fotanian Open Day, despite guided tours, seminars and workshops, we have “Art on Road” scheme which tries to make the “isolated” industrial region come to life again with the penetration of Art.

We would love to see our next generation embracing Art too. We have interviewed Prof. Kurt Chan from Department of Fine Arts, the Chinese University of Hong Kong, along with some other artists who are serving in the field of Art Education. Through the interviews we try to comprehend the principle of Art Education in Hong Kong, and discover the possibilities outside the curriculum in schools.

When the society is still groping for the actual life of the artists, they are already way ahead in challenging the old customs. Artists are like wallflowers who strive to self-explore, though they know that they might well be the only fan of their own, they manage to survive through cracks. This life of art as shown to the mass is perhaps the best demonstration of what “art of life” can be.

日期 Date:

Jan 5,6,12,13,19,20

2:00pm-7:00pm

資訊中心 Information Points:

東鐵綫火炭站B出囗外/

穗禾路1號, 豐利工業中心地下5號/

黃竹洋街15-21號華聯工業中心地下門口

Outside Fotan MTR Station Exit B/

5, G/F Goldfield Ind Ctr, 1 Sui Wo Rd/

Entrance, Wah Leun Ind Ctr, 15-21 Wong Chuk Yeung St.

交通 Transportation:

東鐵綫沙田站B出口轉60K小巴/

由火炭站B及D出口開始步行至各藝術工作室

Mini-bus 60K at Shatin MTR Station Exit B/

Walk from Fotan MTR Station Exit B and D

更多活動詳情將於12月初發佈：

More Program Details will be available by December:

www.fotanian.org

查詢 Enquiry:

fotanian@gmail.com

8110 1122

Red Elation Gallery_Selected Works by Gallery Artists

Selected Works by Gallery Artists  l  15 JAN - 9 FEB 2013

Red Elation Gallery

www.redelation.com

伙炭藝術工作室開放計劃 Fotanian OpenStudio 2013

Red Elation Studio X Sim Chan 紅彩工作室 X 陳閃

火炭環球工業中心十樓一室

伙炭2013前言

「十年人事幾翻新」，火炭自頭一天起有藝術家進駐至今，已不止十年，而藝術的新靈感與新發現，更讓伙炭的人與事不知翻了幾遍。到了現在，伙炭已聚結超過一百間工作室，逾三百位藝術家。他們喜歡「閉門造車」，但每年的這些日子，他們不單樂於與大眾分享藝術創作的成果，更毫不吝嗇地向外展現自己日常作息的場所。在這個工廠場景內，沒有華麗的裝潢，沒有矯情的修飾，就像未經刪剪的紀錄片，毫無保留地向公眾放映。

香港的規劃曾經讓我們以為，工廈與民居永遠都是疏離的；藝術家卻愛打破舊有的分野，在工廠內創造不可能的場景。今年的伙炭開放日，除了導賞團、座談會、工作坊等豐富節目，更透過「路邊藝術」，讓整個被「隔離」的工廠區，因著藝術的滲透，重現生活的氣息。

藝術也望薪火相傳，我們特別走訪了中大藝術系的陳育強教授，以及幾位從事藝術教育的藝術家，嘗試摸索出香港藝術教育的紋理來，看看在正規課程以外，還有甚麼別樣的可能。

當社會還未摸透藝術家在搞哪門子的事之前，他們已嘗試挑戰常規；即使孤芳自賞，他們卻仍堅持自我尋索，在夾縫中絶處逢生——也許，這種藝術生活，已是教育大眾何謂「生活藝術」的最佳示範。


Introduction of Open Studios 2013

It has been more than a decade since the first artist came to Fo Tan, during which Fotanian changes not only in time but also in new inspirations and discovery by Art. There are now more than a hundred studios and three hundred artists gathering in Fotan. They love to hide themselves in studios creating all sorts, yet among these weeks every year and so, they are delighted to show to the public the fruitful creation in Art, in the context of the factory units where they live day after day.

The city planning of Hong Kong once makes us believe that industrial buildings have nothing to do with residential or community. Artists are the ones who are enthusiastic enough to break the boundaries, creating new scenes in the factories. For this year’s Fotanian Open Day, despite guided tours, seminars and workshops, we have “Art on Road” scheme which tries to make the “isolated” industrial region come to life again with the penetration of Art.

We would love to see our next generation embracing Art too. We have interviewed Prof. Kurt Chan from Department of Fine Arts, the Chinese University of Hong Kong, along with some other artists who are serving in the field of Art Education. Through the interviews we try to comprehend the principle of Art Education in Hong Kong, and discover the possibilities outside the curriculum in schools.

When the society is still groping for the actual life of the artists, they are already way ahead in challenging the old customs. Artists are like wallflowers who strive to self-explore, though they know that they might well be the only fan of their own, they manage to survive through cracks. This life of art as shown to the mass is perhaps the best demonstration of what “art of life” can be.


日期 Date:
Jan 5,6,12,13,19,20
2:00pm-7:00pm


資訊中心 Information Points:
東鐵綫火炭站B出囗外/
穗禾路1號, 豐利工業中心地下5號/
黃竹洋街15-21號華聯工業中心地下門口

Outside Fotan MTR Station Exit B/
5, G/F Goldfield Ind Ctr, 1 Sui Wo Rd/
Entrance, Wah Leun Ind Ctr, 15-21 Wong Chuk Yeung St.


交通 Transportation:
東鐵綫沙田站B出口轉60K小巴/
由火炭站B及D出口開始步行至各藝術工作室
Mini-bus 60K at Shatin MTR Station Exit B/
Walk from Fotan MTR Station Exit B and D

更多活動詳情將於12月初發佈：
More Program Details will be available by December:
www.fotanian.org

查詢 Enquiry:
fotanian@gmail.com
8110 1122

Viewfinder

Photo by South Ho

When I manage to look up from my smartphone while walking around the streets of Hong Kong I often find myself looking up, looking way up to catch a glimpse of the sky. With both of these activities I risk bumping into someone but it's worth the risk. Not only have Sim's paintings inspired me to examine the broader physical world above me but they have caused me to pause to think about my life. We voluntarily surround ourselves with gadgets, and buildings, and immerse ourselves in our self made prisons. The sky offers us a glimpse of hope, an alternative to the congested, claustrophobic existence of many Hong Kongers.

Sim himself is inspirational. He has dedicated himself to his art and foregone the perceived comforts of a steady job. His technique and conceptualization continue to transform a simple idea into amazing works of art that operate on multiple levels. A closer examination of his paintings will reveal detailed brushstrokes and textures and with a few steps back, the image will open to the viewer.

Young great artists have our support and we hope you will join us in supporting their search for the heavens.

Clifford Louie

Red Elation Gallery

＿＿＿＿＿＿＿＿

ABOUT THE EXHIBITION

Looking at artist via his viewfinder

Viewfinder is a little window on camera which people looks through to compose their photograph. It is always fixed in size where people can prescribe what they prefer within a given shape by lensing. The process of imaging and the applied technology reflect the boundaries that we have imposed and we face. The distance shown within viewfinder also addresses viewer on one side and objects on the other side. After all, our subjectivity in interpreting this viewer-object relationship is implied through the little image captured. 

These changing interpretations are always Chan's interest. Like looking through the viewfinder of camera, Chan's painting series - "SimCity" and "SimSky" - capture images of the sky surrounded by crowded high-rises. On one hand, the delicate and conceptual depictions of ghetto-style city buildings unfold into an aggressive urban growth that we face; on the other hand, the painting's vanishing points converge high-up in the skies, reminding us how confined our urban dwelling lives can be. This confinement is actually man-made which synchronizes with Chan's self-crafted wooden frames for his canvases. These symbolic cut-out shapes of the sky are loaded with lots of calculation and effort, implying that the canvas and frame as the media of painting are not only surfaces to be painted, but also forms to be created. Here, Chan's work advise us of the need to question with a greater sense of engagement with life. 

Apart from the insider's worm-view angle which has been applied for a while, Chan's recent work demonstrates his other state of mind of seeing. His new "SimCity" series delineates a panoramic view of random edifices in an open environment. Unlike his previous painting, the canvas becomes the artist's window to the outside world which provides him with different vision, yet isolation. The sense of remoteness is further stressed in his new mix-media installation, which collects fragmented views of the sky at different moments captured by anonymous eyes. "We always hope there are wider spaces and sky to be looked at," said Chan, "indeed, they might be right there when you turn your head. However, it just seldom gets through people's busy minds."

This is an exhibition demonstrates Chan's ways of seeing; it is also a viewfinder for us to look at the sky on the other side.

Helen Ng

Guest Curator

關於展覽

觀景器內共睹的天空

觀景器是照相機上用以建構照片的一扇小窗，人們總在那小小的窗戶內窺探另一端的世界，並以焦距規劃了那瞬間光景。影像塑造的過程及種種技術的應用，反映了我們在不斷自我加諸又不禁面對的規限。狹小的觀景器把拍攝的主體及被攝的客體分解，最終，物我關係在不同的角度下被檢視，在主觀的意念下被解讀。

觀點與視覺素來是陳氏喜愛的題材。有如照相機的觀景器，陳氏的油畫系列 “SimCity” 和 “SimSky” 以蟲眼角度捕捉那瞬息萬變的天空色彩及四周擁擠扭曲的高樓形相。一方面，陳氏以其細膩及概念性筆觸描繪出印象中的城市建築 － 凌亂且不斷向天空蔓延的樓宇正是我們那過度發展城市之縮影；另一方面，陳氏畫中那開闊但高高在上的天空，反襯出城市人忽略了的生活局限。這些人為的藩籬不僅躍然紙上，更見於他那些代表各式各樣天空剪影的畫框中。這些經反覆計算及努力製成的畫框，標誌著藝術家對繪畫媒介的重新審視：畫布及框架不僅是顏料的載體，更是一種形式的創建。這些天空剪影代表了陳氏對繪畫及生活的提問，從而探索其箇中可能。

陳氏最新作品則表現了不同心理狀況下的不同觀點。兩幅作品以全景角度描繪一個開放環境中的城市建築。有別他以往的作品，畫布成為藝術家通往外面世界的一扇窗，一面為他提供不同的視點，另一面卻把他從外在世界隔離。陳氏新的混合媒介裝置進一步強調他那「只可遠觀」的心態，作品旨在收集不同眼睛同觀共睹的種種天空片段。「我們常希望看到一個更廣闊的空間和遼遠的天空，」陳說，「那是不同心境下觀點與角度的差異，但人們總是不以為然。」

是次展覽展示了陳的「觀景器」；它也是一扇窗，讓我們看到另一端的天空光景。

吳愷欣

客席策展人

Shanghai_量度天空：陳閃個展

量度天空 ： 陳閃個展

"SimSky: Sim Chan Solo Exhibition"

日期：2012年9月8日至11月4日

地點：狮语画廊@上海武康庭 Leo Gallery, Shanghai

www.leogallery.com.cn 

Art Taipei 2012 台北國際藝術博覽會

Red Elation Gallery (Booth F06)

Sunday Lai 黎朗生，Phillip Hui 許劍豪，Sim Chan 陳閃

New Gallery on Old Bailey (Booth 04)

   ART TAIPEI（台北國際藝術博覽會）是亞太地區資歷最長的藝博會，在全球藝術界一向擁有良好的聲譽，並有廣大收藏家支持；今年適逢主辦單位畫廊協會成立 20 週年，第 19 屆 ART TAIPEI 慶祝氣氛的濃厚不僅反映在今年的規模，也反映在參展畫廊的多元性。今年台北藝博參展畫廊 150 間，和 2011 年相較成長 20%，也因為申請參展畫廊的增加，競爭比以往更為激烈，脫穎而出的參展畫廊逾五成來自海外，除了中國、香港、日本、南韓、新加坡、印尼、馬來西亞、澳洲等亞太國家／地區（其中有黎巴嫩、俄羅斯等首度參展國別），也可見歐洲的英國、德國、奧利地、希臘和北美洲的美國，不管從質或從量來看，ART TAIPEI 2012 的表現都超乎以往，值得期待。

    ART TAIPEI 2012 將在 11 月 9 日(五)~ 11 月 12 日(一)於世貿一館正式開展，展覽規劃六大主題展區【經典畫廊展區 Art Classic 】、【藝術畫廊展區 Art Galleries 】、【新銳畫廊展區 Fresh Art】、 【新媒體藝術展區 New Media】、 【原住民藝術特展 Formosa, Breeze and Tide. 】、 【台灣製造-- 新人推薦特區 Made In Taiwan-Young Art Discovery 】，其中經典畫廊展區特別向台灣前輩畫家致敬，表現出本世紀初的鄉土風情；原住民藝術展區則邀請到策展人李俊賢老師，透過當代藝術的全新詮釋，重新理解台灣原住民藝術。除了展區規劃，ART TAIPEI 2012 更規劃了豐富的系列活動，包含現場藝術表演、藝術講座、公益展區、藝術巴士等，積極邁向全方位的藝術博覽會。

展覽展期

2012 年 11 月 9 日(五) 至 11 月 12 日(一)

展覽時間

中午 11 時 至 下午 7 時 （12 日至下午 6 時）

開幕晚會

2012 年 11 月 8 日(四) 下午 6 時 30 分至 9 時

展覽館址

台北世界貿易中心展覽大樓一館（B C D 區）

11011台北市信義區信義路五段五號

主辦單位

文化部 、 社團法人中華民國畫廊協會 、

中華民國對外貿易發展協會、台北市政府

執行單位

2012 台北國際藝術博覽會執行委員會

Viewfinder by Sim Chan l 《睹》陳閃作品展

facebook event page:   http://www.facebook.com/events/221192388011422/

Viewfinder - Solo Exhibition by Sim Chan

OPENING RECEPTION
Saturday, 3 November 2012, 5-7pm (Artist will be in attendance)
EXHIBITION PERIOD

3 November – 8 December, 2012

Venue: Red Elation Gallery G/F, 5-6 Lung On Street, Wan Chai, Hong Kong

Red Elation Gallery is pleased to announce “Viewfinder” -the first solo exhibition of Sim Chan at the gallery. The exhibition showcases paintings and mixed media works by Chan. The works were completed between 2009 and 2012, and address the artist's differing points of view towards the sky and the cityscape.

Skies in the city are always Chan's subject. Like looking through the viewfinder of a camera, Chan's painting series - "SimCity" and "SimSky" - capture images of the sky surrounded by crowded high-rises. On one hand, delicate and conceptual depictions of ghetto-style city buildings unfold into aggressive urban growth that we face; on the other hand, the painting's vanishing points converge high-up in the skies, reminding us how confined our urban dwelling lives can be. This confinement is actually man-made which synchronizes here with Chan's self-crafted wooden frames for his canvases. These symbolic cut-out shapes of the sky are loaded with lots of calculation and effort, implying that the canvas and frame as the media of painting are not only surfaces to be painted on, but also forms to be created. Here, Chan's works advise us of the need to question with a greater sense of engagement with life.

Chan's recent work demonstrates his other state of mind of seeing. His new horizontal works from the "SimCity" series delineate a panoramic view of random edifices in an open environment. Unlike his previous paintings, the canvas becomes the artist's window to the outside world which provides him with a different vision, yet isolation. The sense of remoteness is further stressed in his new mixed media installation, which collects fragmented views of the sky at different moments captured by anonymous eyes. "We always hope there are wider spaces and sky to be looked at" said Chan, "indeed, they might be right there when you turn your head. However, it just seldom gets through people's busy minds."

“Viewfinder” is guest-curated by Helen Ng

Sim Chan (born in Hong Kong, 1987) graduated from the Hong Kong Art School in 2008. He has participated in different exhibitions in the region since 2007, including Melbourne, Tokyo, Thailand, Singapore, Shanghai, Beijing and Hong Kong. Chan set up his Fotan studio in 2007 and has also participated in an artist-in-residence program in Beijing in 2009.

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《睹》陳閃個人作品展
開幕酒會：2012年11月3日(星期六), 下午5時至7時正
展覽日期：2012年11月3日至12月8日
展覽地點：紅彩畫廊, 香港灣仔隆安街5‐6號地下 (北帝廟對面)

紅彩畫廊呈獻新晉本地年輕藝術家陳閃的個人作品展《睹》，展覽將展出陳氏在2009年至2012年間創作的繪畫和混合媒體作品，希望透過不同系列的作品呈現藝術家眼中一直追尋的天空面貌及城市光景。

都市天空素來是陳氏喜愛的題材，有如相機的觀景器，陳氏的油畫系列《SimCity》和《SimSky》以蟲眼角度捕捉那瞬息萬變的天空色彩及四周擁擠扭曲的高樓形相。一方面，陳氏以其細膩及概念性筆觸描繪出印象中的城市建築 − 凌亂且不斷向天空蔓延的樓宇正是我們那過度發展城市之縮影；另一方面，陳氏畫中那開闊但高高在上的天空，反襯出城市人忽略了的生活局限。這些人為的藩籬不僅躍然紙上，更見於他那些代表各式各樣天空剪影的畫框中。這些經反覆計算及努力製成的畫框，標誌著藝術家對繪畫媒介的重新審視：畫布及框架不僅是顏料的載體，更是一種形式的創建。這些天空剪影代表了陳氏對繪畫及生活的提問，從而探索其箇中可能。

陳氏最新作品則表現了不同心理狀況下的不同觀點。兩幅作品以全景角度描繪一個開放環境中的城市建築。有別他以往的作品，畫布成為藝術家通往外面世界的一扇窗，一面為他提供不同的視點，另一面卻把他從外在世界隔離。陳氏新的混合媒介裝置進一步強調他那「只可遠觀」的心態，作品旨在收集不同眼睛同觀共睹的種種天空片段。「我們常希望看到一個更廣闊的空間和遼遠的天空」陳說：「那是不同心境下觀點與角度的差異，但人們總是不以為然。」

《睹》由吳愷欣客席策展。

陳閃（出生於1987年，香港），2008年畢業於香港藝術學院。自2007年以來，他參加了於不同城市舉辦的展覽，包括墨爾本，東京，泰國，新加坡，上海，北京和香港。陳氏自2007年於火炭設立工作室，於2009年到北京作駐地藝術家並進行創作。

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Gallery Hours:
Tuesday to Saturday, 12noon - 6pm
(Open by appointment on Sunday, Monday and Public Holidays)
Free Admission

Enquiry:
Telephone: +852 2893 7837 / E-mail: info@redelation.com / Website: www.redelation.com

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ABOUT THE CURATOR

HELEN NG

Helen Ng is an independent curator and photography producer who works and lives in Hong Kong. Graduated with Bachelor of Arts in Linguistics in 2001, Helen obtained a Professional Certificate in Exhibition Studies and Art Curatorship from Hong Kong Art School in 2007. Since then, she has collaborated with artists from Hong Kong and Japan, curating for commercial galleries, art school and alternative spaces. 

Her latest projects include Pineapple Underground Film Festival, 2011 (Experimenta, Hong Kong); Shooting Blind: Portrayal from the Street, 2011 (Woodhouse, Hong Kong) and Something Behind, 2010 (White Tube, Hong Kong). Having a strong concern about the impact of curatorial canon on artistic creation as well as audience reception, Helen likes to experiment on various exhibition formats in order to explore the value of curatorship in art representation. 

關於策展人

吳愷欣

生於及居於香港，2001年畢業於香港城市大學, 主修語言學, 並於2007年修畢香港藝術中心藝術學院「展覽研究及專業策展」證書課程。隨後相繼與香港, 日本及韓國等地的藝術家合作，並於本地不同的藝術院校、獨立空間及藝廊策劃展覽。

吳現主力從事獨立策展及攝影監製之工作，最近策展項目包括「2011菠蘿電影節」 (Experimenta, 香港); “Shooting Blind: Portrayal from the Street” (活方, 香港) 與及 「2010十月當代」展覽「身後事…」(白管子, 香港)。吳一直關心規條化的策展模式對創作以致解讀作品之影響，並嘗試以不同的展示方式探討展覽的藝術意義。

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特別嗚謝 Special Thanks

 作品拍攝 photographer ﹣South Ho , 策展人 Curator ﹣Helen Ng , 設計師 Designer - Godwin Ng , 影片剪接 Video editors ﹣Gabriel Cheung , 展覽統籌 Co-ordinator - Sandee Tang , 藝術家好友 Artist - Vaan Ip

“Asia Contemporary Art Show 2012” "亞洲當代藝術展 – 香港2012"

日期及時間:
 四, 10/04/2012 - 17:00 - 日, 10/07/2012 - 20:00

地點：香港灣仔君悅酒店 香港灣仔君悅酒店灣仔港灣道一號
Grand Hyatt Hong Kong, 1 Harbour Road, Wan Chai,

ROOM 1218 & 1210

www.asiacontemporaryart.com

"CONNECT - Hong Kong Contemporary Art Exhibition and Hong Kong Cancer Fund Charity Auction" "Fine Art Asia 2012""「繫」香港當代藝術展 " 香港癌症基金會藝術展覽及慈善拍賣 香港國際古玩及藝術品博覽會2012 香港會議展覽中心5號館 , 香港

Date:
VIP preview 3/10/2012 (Wed) 2:00pm-9:00pm
Open to public 4-6/10/2012 11:00am-7:00pm
7/10/2012 11:00am-6:00pm
地點：
香港國際古玩及藝術品博覽會2012
香港會議展覽中心5號館
Venue:
Fine Art Asia 2012
Hall 5, Hong Kong Convention and Exhibition Centre
Booths P12

http://www.cancer-fund.org/tc/press_centre_latest_news_42.html
香港癌症基金會將於今年10月3至7日「香港國際古玩及藝術品博覽會2012」舉辦藝術展覽及慈善拍賣，為癌症患者的支援服務籌款。
　　
「繫」香港當代藝術展特邀21位香港藝術家以「繫」為主題發揮創意，並把作品慈善拍賣，所得收益將捐助香港癌症基金會的免費支援服務。香港癌症基金會一直為癌症患者及受癌症影響人士提供免費的資訊、專業輔導及朋輩支援服務。今年正值成立廿五周年紀念。
　　　
人類各族裔亙相連繫，科學上已獲得証實。我們分享共通的脈絡，連繫著我們的情感、經歷及心靈。
　　
香港癌症基金會創辦人及總幹事羅莎莉指出︰「基金會與社區保持緊密連繫，確保患者不會孤獨地面對癌症，並透過朋輩的鼓勵亙相幫助，增加對疾病的認知。基金會未來會繼續致力為受癌症困擾的人士改善生活質素。」
策展人梁兆基表示︰「展出的眾多佳作表達了藝術家的藝術意境及對生活事物的無限想像，今次展覽亦希望藉著展現具代表性青年藝術家的非凡創意，讓觀眾及收藏家更了解香港當代藝術的最新面貌。」
　　
參展的21位藝術家包括又一山人、Simon BIRCH、陳閃、鄭哈雷、張惠文、馮力仁、管偉邦、甘志強、林嵐、林佑森、李展輝、梁嘉賢、梁巨廷、梁依廷、李慧嫻、文鳳儀、莫一新、鄧國騫、曾翠薇、黃澤雄及黃麗貞。
地點：
香港國際古玩及藝術品博覽會2012
香港會議展覽中心5號館
日期：
預展：
2012年10月3日(星期三) 下午2:00-9:00
公眾參觀：
2012年10月4-6日 上午11:00-下午7:00
2012年10月7日 上午11:00-下午6:00
暗標拍賣(2012年9月24日後生效)︰
http://www.cancer-fund.org/fineartasia
投標表格可電郵至香港癌症基金會funds@hkcf.org 或傳真至3667 2100
截止 2012年10月3日 下午12:00
展場投標截止 2012年10月3日 晚上8:00
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關於香港癌症基金會
香港癌症基金會為非牟利慈善機構，致力為受癌症影響的病人及其親友，提供免費資訊、專業指導及朋輩支持服務。透過屬下遍布醫院、社區及家居的支援網絡，香港癌症基金會秉承令癌症病人活得更好的服務使命，竭力確保沒有人會孤獨地面對癌症。
本會網站為：
www.cancer-fund.org


CONNECT
Hong Kong Contemporary Art Exhibition and Hong Kong Cancer Fund Charity Auction
It is scientifically proven that the entire human race is connected. We all share a common thread, joined by our emotions, experiences and empathy. This year, CONNECT brings together the work of more than 20 contemporary artists, who reflect on the links that bind us all.
Hong Kong Cancer Fund – who champion the importance of community – strongly believe in the importance of art in conveying emotions and bringing people together.
This year, Hong Kong Cancer Fund celebrates its 25th Anniversary of providing free information, professional guidance and peer support to anyone living with or affected by cancer.
In honour of this milestone, CONNECT will donate proceeds from an artwork charity auction towards Hong Kong Cancer Fund’s free services, in particular, their peer support network that unites all those touched by cancer – helping patients and their families gain strength through support.
Venue:
Fine Art Asia 2012
Hall 5, Hong Kong Convention and Exhibition Centre
Booths P12
Date:
VIP preview 3/10/2012 (Wed) 2:00pm-9:00pm
Open to public 4-6/10/2012 11:00am-7:00pm
7/10/2012 11:00am-6:00pm
Silent auction:
Option 1: download bidding form and send to Hong Kong Cancer Fund Please send to Hong Kong Cancer Fund (Email – funds@hkcf.org or Fax – 3667 2100) on or before 3/10/2012 12:00pm
Option 2: On site bidding, which will be closed at 3/10/2012 8:00pm
http://www.cancer-fund.org/tc/press_centre_latest_news_42.html

SimSky no.30 , 2778.2 cm² , 84.9 x 43.5 cm , Oil on Lycra with handmade wooden frame